![]() Now, we have the strange colon-free beast that is Terminator Salvation. ![]() A decade later, in Terminator 3: Rise of the Machines, James Mangold did little more than slap a lick of paint on James Cameron’s 1984 original, and, following shrugs from the fans, the series began preparing itself for (ahem) termination. The two concepts came together nicely in 1991, when Arnold Schwarzenegger’s kinder T-800 skirted conventional notions of what a human should look like in the durable, bombastic Terminator 2: Judgment Day. The challenge is to develop a new machine with hitherto unimaginable abilities that still contains enough essence of the original model – a human being for the robot Star Wars, Garfieldor Ace Venturafor the movie follow-up – to bear its name without embarrassment. ![]() Terminator Salvationfeels both familiar and new – for a while, writes DONALD CLARKE
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